![]() Perhaps the reason is that Apple has done a good job here with Sonyzusammen FinalCut 7 here and the codec can handle well. ![]() This is so, unlike ProRes to Inter frames and still is the workflow, at least for me (Macbook Pro Dual 2.4 Ghz, 4 GB Ram) is very good at cutting, and when rendering. The data rate is somewhat smaller than that of H264, and I wonder now whether this is appropriate codec. So no upfront unnecessary large files with no real quality increase. Here, we would have another advantage, namely that this is maintained with 4:2:0 chroma sampling and is not, as with extrapolated to ProRes 4:2:2. Now I've heard that the Sony XDCam EX 35Mbps format is also suitable for the raw material of the Mark II to encode. On nearby always seemed to me from the ProRes codec family Behmen because of Apple that developed just for such purposes wurde.Zuerst with ProRes (HQ), while the volume of data explodes, however, then with ProRes or ProRes (LT) and the result was okay in terms of size and workflow. Problem for my 5D MII I have tried different codecs, native of the H264 is not known, so well suited to editing. Hello, I hope there is this issue not already here, habs, I certainly can not find if it please post link, thanks! ![]()
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